_The Old Church at Chelsea, England_,--Mr. H. H. Burnell read a paper before the British Archaeological Society lately, on the Old Church of Chelsea. The chancel, with the chauntries north and south of it, are the only portions of ancient work left. The north chauntry, called the Manor Chauntry, once contained the monuments of the Brays, now in very imperfect condition, having been destroyed or removed to make space for those of the Gervoise family. There remains, however, an ancient brass in the floor. Of the south, or More Chauntry, he stated that the monument of Sir Thomas More was removed from it to the chancel; and the chauntry had been occupied by the monuments of the Georges family, now also removed, displaced, and destroyed. Mr. Blunt showed that, notwithstanding the current contrary opinion, founded on Aubrey's assertion, the More monument is the original one for which Sir Thomas More himself dictated the epitaph. Mr. Burnell, the architect of the improvements effected subsequently to 1857, spoke positively as to the non-existence of a crypt which conjecture had placed under the More Chauntry. The foundation of the west end of the church before it was enlarged in 1666, he found west of Lord Dacre's tomb. On the north side of the chancel an aumbrey, and on the south a piscina was found, coeval with the chancel (early fourteenth century). The arch between the More Chauntry and the chancel is a specimen of Italian workmanship--dated 1528--a date confirmed by the objects represented in the carved ornaments, those objects being connected with the Roman Catholic ritual. It is a remarkably early instance of the use of Italian architecture in this country. In a window of this chapel, then partly bricked up, was found in the brickwork in 1858 remains of the stained glass which once filled it. The body of Sir Thomas More was, according to Aubrey, interred in this chapel, and his head, after an exposure of fourteen days, testifying to the passers-by on London Bridge the remorseless cruelty of Henry VIII. and his barbarous insensibility, was consigned to a vault in St. Dunstan's Church, Canterbury. It was seen and drawn in that vault in 1715.--_Reader_.

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